Becoming Is Not Passive. It Is an Ethical Act.

Families and newcomers gather by the Eternal Flame at Parliament Hill, a hopeful stop in a family journey toward becoming.

She packed what she could carry, said goodbye to people she didn’t know how to leave, and moved. No photograph at the border. No policy paper written in her name. This March, the Gallery of Human Migration brings together artists, filmmakers, and writers—Sabrina Aureli, Sunny Yi, Leena Minifie, David Paperny, Suzanne Elki Yoko Hartmann, and Keiko Honda—to ask what transformation actually costs. Becoming, they suggest, is not personal growth. It is an ethical act.

A Mirror, Not a Memorial

Intergenerational walk in a park: elder with dog and smiling young adult, sharing stories of home, migration, and belonging.

In 1945, a Japanese family stranded north of Korea’s newly drawn 38th parallel survived not through strategy or strength, but because of one Korean ship captain’s quiet, unwitnessed act of compassion. That act is the reason Keiko Honda exists today. In this interview, Gallery of Human Migration Executive Director Nancy Perin speaks with Honda about her grandfather’s translated memoir, The Broken Map Home: Escaping Korea, 1945—and what his story reveals about empire, migration, and the patterns of racial discrimination we are still living inside now.

The Nail That Sticks Out: Migration, Memory, and Becoming

‘The Nail That Sticks Out’ cover with reflective author portrait; Japanese Canadian migration, identity, and belonging.

In March, the Gallery pauses to reflect on two intertwined truths: that women have long been the stewards of cultural survival, and that the struggle for human rights is inseparable from the histories of migration, displacement, and resilience.

RE:Location Documentary Series

Close-up of a black and white film strip representing nonprofit storytelling through impactful visual media.

A family receives notice. They have days to pack what they can carry. The place they built — the street, the neighbourhood, the name of the corner where everyone knew everyone — will not be there when they look back. The RE:Location Documentary Series, presented by the Gallery of Human Migration, gathers these stories of forced uprooting: communities erased by policy, by fear, by the quiet violence of progress. What was lost. What was carried forward. What is still asking to be seen.

National Histories and Ethnic History in Canada – Prof. Roberto Perin

Centennial Flame burning in front of historic parliament building at sunset, Ottawa, symbolizing unity and peace.

The question now arises as to whether national history still exists as a category. If so, how many national histories does Canada have? Where do the First Nations and immigrant groups fit into to this (these) national history (histories), or do they have national histories of their own?

College Street, Little Italy: Toronto’s Renaissance Strip

Historic College Street in Toronto's Little Italy, showcasing vibrant local storefronts and cultural heritage.

In 2006, the GOHM provided funding for the publication of College Street Little Italy, Toronto’s Renaissance Strip, which was edited by Denis De Klerck and Corrado Paina, 2006, Mansfield Press, on behalf of the Gallery of Human Migration.

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New on the Gallery

Your story of migration, the one inherited, lived, and witnessed across generations, has a place here. The Tapestry, the 2026 edition of the Gallery’s Migration Literary Award, is an international recognition and publication initiative honouring personal and ancestral stories. Every selected voice is honoured equally. No rankings, no podium. Submissions open March 31 and close August 31, 2026.