Books

For the Gallery, migration speaks of movement, the essence of the migratory process. We don’t frame migration by ethnicity or historical periods, but by its universality: migration is the eternal movement at the core of human nature.

Movement is the act of being born, of coming into the world. Movement is the creative spark that generates an idea. Each of us, therefore, carries a migration story to tell—woven from dreams, departure, acceptance, and belonging.

Without these stories, we leave behind only fragments for strangers to interpret. Ruins, census forms, a surname on a ship’s manifest. What they can’t recover is the soul of the journey—the why, the how, the cost, and the joy.

This is why we must write, speak, and read.

Historic College Street in Toronto's Little Italy, showcasing vibrant local storefronts and cultural heritage.

College Street, Little Italy: Toronto’s Renaissance Strip

$35.00 + HST & Shipping

In this book, Toronto’s “renaissance strip” comes alive, showing us how often College Street has been reborn and reinvented. This is a history of a place influenced by immigration cycles set off by world events, but it is also the story of the individuals who are too often left out of history books.

Joe Pantalone, Deputy Mayor of the City of Toronto 2003-2010 – Introduction

Recommended Readings & Resources

We all have stories. These stories teach us history, morality, identity, connection, empathy, understanding, and self-awareness. We hear the stories of our ancestors, and they tell us who we are. We hear the stories of our heroes, and they tell us what we can be.

Honourable Senator Murray Sinclair

In the spirit of sharing stories that matter, the Gallery highlights these readings and honours Indigenous voices, without any financial gain to us.

We invite you to explore a selection of recommended readings on Indigenous stories.What can we learn when these narratives meet, sometimes in dialogue, sometimes in tension?

This way of thinking, history as layered, plural, and relational, lies at the heart of what we present at the Gallery. Each migration story we share echoes with others: the enduring voice of Indigenous presence, the resilience of displaced communities, and the courage of newcomers. It is a list of must-read titles written by Indigenous authors, writers, illustrators, and Knowledge Keepers. These are books that inspire reflection and create space for healing.

Indigenous Toronto book cover, girl raising fist, CN Tower background, stories of place and identity.

Indigenous Toronto​: Stories That Carry This Place

by Denise Bolduc

An anthology of Indigenous voices revealing Toronto’s deep, thousand-year Indigenous history, cultural continuity, and the impact of settler colonialism. Stories reconnect past and present across the city’s landscape.

Cover of 'Five Little Indians' by Michelle Good, featuring award badges and birch trees in the background.

Five Little Indians​

by Michelle Good​

Five survivors of residential schools struggle with trauma, addiction, and belonging in Vancouver’s Downtown Eastside as they seek healing, connection, and safety across decades of hardship.

Book cover of Stories of Métis Women: Tales My Kookum Told Me featuring floral beadwork design.

Stories of Métis Women​: Tales My Kookum Told Me​

by Marilyn Lizee & Bailey Oster​

Métis women share cultural history, traditions, and nationhood from their own perspectives, challenging misconceptions and illuminating identity, language, and community.

Alt text: Book cover: Wayi Wah! Indigenous Pedagogies by Jo Chrona, featuring Indigenous art on a red background.

Wayi Wah!​ : Indigenous Pedagogies an Act for Reconciliation and Anti-Racist Education

by Jo Chrona​

Grounded in First Peoples learning principles, this guide explores anti-racist education and how Indigenous knowledge can shape equitable, inclusive teaching practices for all learners.

Red cloaked figure in a forest, representing art and action from REDress: Art, Action, and the Power of Presence.

REDress: Art, Action, and the Power of Presence

Edited by Jaime Black-Morsette​

A powerful anthology weaving art, activism, and voices connected to the REDress Project and Missing and Murdered Indigenous Women, Girls & Two-Spirit people, honoring resilience and presence.

Cover of Truth and Reconciliation in Canadian Schools by Pamela Rose Toulouse, featuring two figures facing a cityscape.

Truth and Reconciliation in Canadian Schools​

by Pamela Rose Toulouse​

A culturally respectful resource for educators on residential schools, treaty education, First Nations/Métis/Inuit perspectives, and how to engage in reconciliation in classrooms.

Cover of 'Indigenous Writes' by Chelsea Vowel, addressing First Nations, Métis, and Inuit issues in Canada.

Indigenous Writes​: A Guide to First Nations, Metis & Inuit Issues in Canada​

by Chelsea Vowel​

A clear, essay-based look at key Indigenous concepts, history, and terminology in Canada, challenging misconceptions and opening space for deeper understanding and dialogue.

Book cover: '52 Ways to Reconcile' by David A. Robertson, guide to healing with Indigenous peoples.

52 Ways to Reconcile​: How to Walk With Indigenous Peoples on the Path to Healing​

by David A. Robertson​

Practical, accessible acts toward reconciliation with Indigenous peoples, offering achievable steps readers can take weekly to build understanding, respect, and community.

Cover of 'The Circle' by Katherena Vermette, featuring geometric orange and grey patterns.

The Circle​

by Katherena Vermette​

A multi-voice novel exploring loss, justice, belonging, and community after a disappearance. Told through layered perspectives, it examines how Métis voices navigate love, pain, and connection.

Book cover of Sugar Falls: A Residential School Story by David A. Robertson, featuring a young child by a river.

Sugar Falls​: A Residential School Story​

by David A. Robertson ​

Based on true events, this story follows Elder Betty Ross’s resilience after being taken to a residential school, and the strength of family and culture in surviving trauma and finding hope.

Book cover: Turtle Island by Eldon Yellowhorn & Kathy Lowinger, featuring a crow against a moonlit forest and lake.

Turtle Island​: The Story of North America’s First People​

by E. Yellowhorn and K. Lowinger​

A young reader’s journey from pre-contact to modern times on Turtle Island, blending myth, archaeology, and Indigenous perspectives to share deep cultural history and resilience.

Cover of the book Nishga by Jordan Abel, featuring an Indigenous art design of a hand on a black background.

Nishga

by Jordan Abel​

Nishgais a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada’s residential school system and contemporary Indigenous existence.

Cover of 'Coexistence' by Billy-Ray Belcourt, featuring intertwined arms symbolizing unity and human connection.

Coexistence: Stories​

by Billy-Ray Belcourt​

Intersecting stories of love, loneliness, resilience, and belonging across Canadian Indigenous life, capturing intimate, emotional moments and the complexity of human relationships.

Book cover of The Knowing by Tanya Talaga, featuring an evocative painting of diverse people, symbolizing migration and shared humanity.

The Knowing

by Tanya Talaga

A deeply personal, meticulously researched retelling of Canadian history through an Indigenous lens, exploring generational loss, systemic erasure, and resilience rooted in Talaga’s own family story and wider Indigenous experience.

Cover of 'Elements' by Jamesie Fournier, showcasing natural textures and bilingual title text for a poetry collection.

Elements

by Jamesie Fournier

A complex, evocative bilingual poetry collection by Inuk author Jamesie Fournier, probing inner turmoil, colonial pressures, resilience, erasure, and resistance through vivid, imagistic verse.

Cover of First Nations 101: Updated & Expanded 2nd Edition by Lynda Gray.

First Nations 101 - 2nd edition​

by Linda Gray​

A comprehensive overview of Indigenous communities, colonial history, assimilation efforts, and modern movements for wellness and rematriation, essential for understanding context and change.

Book cover: '21 Things You Need to Know About Indigenous Self-Government' by Bob Joseph, discussing the Indian Act.

21 Things ​You Need To Know About Indigenous Self-Government

by Bob Joseph​

A clear discussion about dismantling the Indian Act and the realities of Indigenous self-government today, offering insight into law, governance, and community empowerment.

Wampum belt on display with Q da gaho de꞉s: Reflecting on Our Journeys book cover, edited by Timothy B. Leduc.

O da gaho de:s : Reflecting on Our Journeys

by Gae Ho Whako & Norma Jacobs

Guided by Elder teachings and sharing circles, this reflective book reconnects readers to Indigenous values, original treaty principles like the Two Row, and invites personal reflection on truth, reconciliation, and community relationships.

Cover of Okanagan Women's Voices book, featuring flowers and sky, edited by Jeannette Armstrong and others.

Okanagan Women's Voices: Syilx and Settler Writing and Relations, 1870s to 1960s

by Jeannette Armstrong

A historical account of writing and relationships between Syilx (Okanagan) women and settler women in British Columbia’s interior from the 1870s–1960s, showing cultural exchange, relations, and storytelling.

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Who We Are: Four Questions for a Life and a Nation

by the Honourable Murray Sinclair

Senator Murray Sinclair’s oral history blends personal life, Indigenous identity, history, resistance, and reconciliation, asking foundational questions that shape self-understanding and a shared national future.

Cover of How We Go Home, highlighting Indigenous voices in North America, featuring directional signpost at sunset.

How We Go Home: Voices from Indigenous North America

by Sara Sinclair

Stories of loss, injustice, resilience, and Indigenous resistance from across North America, including Water Protectors at Standing Rock and advocates confronting colonial legacies while seeking connection and a way “home.”

Children and adults in front of a historical building with What We Learned on the theme of Tsimshian education.

What We Learned: Two Generations Reflect on Tsimshian Education and the Day Schools

by Helen Raptis

Two generations of Tsimshian people recall their experiences in day schools in northwest British Columbia, offering insight into Indigenous education, colonial legacies, and lifelong learning traditions.

Cover of 'Atiġiput: Inuit Oral History and Project Naming' highlighting Inuit community portraits and cultural heritage.

Atiqput: Inuit Oral History and Project Naming

by Carol Payne, Beth Greenhorn, Deborah Kigjugalik Webster, Christina Williamson

A photo-rich celebration of Inuit culture, naming traditions, and history, restoring names and identities to previously anonymous figures and reclaiming heritage through stories and archival research.

In the spirit of sharing stories that matter, the Gallery highlights these readings and honours Indigenous voices, without any financial gain to us.

We invite you to explore a selection of recommended readings on migration, belonging, and community.These are books that inspire reflection and create space for learning, whether in the classroom, at home, or in your own reading life.Together, they expand the conversation, offering both knowledge and inspiration for those who wish to better understand migration in all its dimensions.

Cover of 'The West End: A Magical Place,' with colorful artwork depicting vibrant street life and diverse community.

The West End: A Magical Place Created by Giants

by Dr. Frank S. Sarlo

A heartfelt, illustrated tribute to the West End community of Sault Ste. Marie, Ontario, capturing its immigrant-built history, notable residents, and spirit through personal stories and cultural reflection.

Book cover: 'Home - A Sense of Belonging' with images of diverse family scenes around a glowing globe.

Home: A Sense of Belonging

by Dr. Ardavan Eizadirad and Natalie Royer

An interactive, heartfelt exploration of what “home” means beyond place — as feeling, memory, and connection — fostering empathy, self-reflection, and appreciation of diverse experiences of belonging.

Book cover: The Nail That Sticks Out—postwar Japanese Canadian migration; child in kimono evokes resilience and belonging.

The Nail That Sticks Out

by Suzanne Elki Yoko Hartmann

The Nail That Sticks Out invokes the familiar proverb that warns against visibility. Hartmann turns it into a question: what happens when those who were once forced into silence choose to be seen? What responsibilities come with that choice? Her answer is not to elevate herself above the collective.

Book cover—The Broken Map Home. Watercolor red sun over sea; escaping Korea, 1945. Migrant journey seeking safety and home.

The Broken Map Home: Escaping Korea, 1945

by Konosuke Masuda, translated by Keiko Honda

A granddaughter’s tribute to her grandfather, The Broken Map Home is a gripping memoir of a Japanese man’s journey back home against all odds during the Second World War.

Konosuke Masuda bridges past and present as he recounts his desperate journey, brought to life in translation by his granddaughter, Keiko Honda.

The Broken Map Home is a powerful account of suffering and resilience that transcends boundaries and borders, offering a humanizing counter-narrative to global conflict and fostering compassionate understanding in a fractured world.

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New on the Gallery

Your story of migration, the one inherited, lived, and witnessed across generations, has a place here. The Tapestry, the 2026 edition of the Gallery’s Migration Literary Award, is an international recognition and publication initiative honouring personal and ancestral stories. Every selected voice is honoured equally. No rankings, no podium. Submissions open March 31 and close August 31, 2026.