The Gallery’s Standing Invitation to Visual Artists
Sabrina Aureli stood at the edge of the frame—a balcony, a moon, a sea—and called it Beckoning. That image opened the Gallery of Human Migration’s first featured visual artist collaboration. Then Andrew Duff arrived, with his eye for the honest, uncomfortable, sometimes funny weight of being human together. Two artists, two cycles, one continuous thread. The Gallery’s invitation to visual artists is standing and permanent: bring work that listens, in any medium, for any movement. We are always looking for the next voice.
Becoming Is Not Passive. It Is an Ethical Act.
She packed what she could carry, said goodbye to people she didn’t know how to leave, and moved. No photograph at the border. No policy paper written in her name. This March, the Gallery of Human Migration brings together artists, filmmakers, and writers—Sabrina Aureli, Sunny Yi, Leena Minifie, David Paperny, Suzanne Elki Yoko Hartmann, and Keiko Honda—to ask what transformation actually costs. Becoming, they suggest, is not personal growth. It is an ethical act.
A Mirror, Not a Memorial
In 1945, a Japanese family stranded north of Korea’s newly drawn 38th parallel survived not through strategy or strength, but because of one Korean ship captain’s quiet, unwitnessed act of compassion. That act is the reason Keiko Honda exists today. In this interview, Gallery of Human Migration Executive Director Nancy Perin speaks with Honda about her grandfather’s translated memoir, The Broken Map Home: Escaping Korea, 1945—and what his story reveals about empire, migration, and the patterns of racial discrimination we are still living inside now.
March 21, and “The Italian Question” documentary
Fear, belonging, and the stories we claim—or don’t. A conversation with filmmaker Sun-Kyung Yi on the migration history hiding in plain sight.
The Nail That Sticks Out: Migration, Memory, and Becoming
In March, the Gallery pauses to reflect on two intertwined truths: that women have long been the stewards of cultural survival, and that the struggle for human rights is inseparable from the histories of migration, displacement, and resilience.
The Red Box That Travels Like Humanity Itself
Everywhere, people move—each carrying an invisible red box filled with their past, their dreams, and their hopes.
When you see them together, you see us all—one human constellation, bound by movement and memory.
A Return Long Overdue: The Vatican, Indigenous Artifacts, and the Politics of Repatriation
The Gallery of Human Migration celebrates the Vatican’s decision to return sacred Indigenous artifacts to their original communities—a long-awaited act of justice. Though not directly involved in this process, the Gallery has long advocated for such restitution. We celebrate this moment with conviction and gratitude, as witnesses who have long hoped to see institutions embrace genuine acts of restoration and reconciliation.
RE:Location Documentary Series
A family receives notice. They have days to pack what they can carry. The place they built — the street, the neighbourhood, the name of the corner where everyone knew everyone — will not be there when they look back. The RE:Location Documentary Series, presented by the Gallery of Human Migration, gathers these stories of forced uprooting: communities erased by policy, by fear, by the quiet violence of progress. What was lost. What was carried forward. What is still asking to be seen.
“The Good Canadian,” an 88-minute Documentary
The Good Canadian challenges national mythmaking, while offering Canadians the chance to forge a new identity from the truth.
Becoming Canadian: Citizens’ Stories
Becoming Canadian: Citizens’ Stories is a compelling and timely documentary that explores the origins and future of Canadian citizenship.