The Nail That Stick Out: Migration, Memory, and Becoming

‘The Nail That Sticks Out’ cover with reflective author portrait; Japanese Canadian migration, identity, and belonging.

In March, the Gallery pauses to reflect on two intertwined truths: that women have long been the stewards of cultural survival, and that the struggle for human rights is inseparable from the histories of migration, displacement, and resilience.

An Invitation to Visual Artists

Person in white gazes at full moon over the sea from a balcony, evoking themes of migration, belonging, and shared humanity.

Before journeys are traced in words, they are often sensed through images—a pause, a threshold, a gesture of listening.
Visual Voices of the 4Bs is an invitation to visual artists to engage with the Gallery of Human Migration’s framework — Beckoning, Beginning, Becoming, Belonging — four movements that shape the human experience of migration. Through images, artists help open spaces of reflection, offering ways of seeing that do not explain, but invite.
From this place of listening, the Gallery invites artists to contribute visual works that respond to one moment of the 4B journey—or, for those who feel called, to accompany the full cycle over time.

The Red Box That Travels Like Humanity Itself

Red gift box with Best Wishes and a ribbon, resting on a rock in a forest setting, symbolizing shared journeys and blessings.

Everywhere, people move—each carrying an invisible red box filled with their past, their dreams, and their hopes.
When you see them together, you see us all—one human constellation, bound by movement and memory.

The Art of Ester Crocetta

Person wearing a white mask looks sideways in front of a dark background with two decorative pieces.

Ester Crocetta is a contemporary artist born in Italy. Her artistic career has developed both in Italy and internationally, with numerous exhibitions that have established her as a prominent figure in contemporary art.

Women in Migration: Strength, Resilience, and Transformation

Silhouette of a person with colorful watercolor texture emanating from their head, symbolizing creativity and imagination.

When migration is discussed, the focus is often on statistics, borders, and policies. But behind every number is a human story—and half of those stories belong to women. Women migrants are not simply companions or dependents. They are leaders, workers, caregivers, innovators, and cultural ambassadors.

College Street, Little Italy: Toronto’s Renaissance Strip

Historic College Street in Toronto's Little Italy, showcasing vibrant local storefronts and cultural heritage.

In 2006, the GOHM provided funding for the publication of College Street Little Italy, Toronto’s Renaissance Strip, which was edited by Denis De Klerck and Corrado Paina, 2006, Mansfield Press, on behalf of the Gallery of Human Migration.

Where is Here? – A CBC Radio Drama Anthology

Book cover: vintage microphone with a maple leaf and 'Where Is Here?' book title, black text on a white background.

In 2004, the Gallery of Human Migration became the proud repository of the final drafts of Where Is Here?, a two–volume anthology of radio plays on migration themes produced by CBC Radio and edited by Damiano Pietropaolo, then Executive Director of CBC Radio Drama.

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New on the Gallery

The Gallery of Human Migration invites visual artists to take part in Visual Voices of the 4 Bs. This open call explores migration through four moments of human experience: Beckoning, Beginning, Becoming, and Belonging. Artists working across all visual media are welcome to submit thoughtful responses inspired by these themes.